How to Guide – Connecting Your Laptop to HDTV Or TV

I’m writing this guide after being asked a few times on ways to connect a laptop to a TV. People want to achieve this for several reasons. First, it’s great for presentations at work, school, or home. It’s also convenient for viewing pictures and videos to friends, watching DVDs, and it is now even being used for viewing Blu-ray and other high definition content on the HDTV.

First, we want to make sure you’re getting the most out of your laptop when it comes to displaying it on the TV.

If you have an HDTV with HDMI inputs, check if your laptop has an HDMI output. If it does, you’re in luck! Your HDTV can display from your laptop in HD resolutions. All you need is an HDMI cable to connect them. If your HDTVs HDMI inputs are used up already. An HDMI switch would be the best solution for you. We supply switches that can connect up to 5 different HDMI sources to 1 HDMI input.
If you don’t have an HDMI output on the laptop, check if it has a DVI output. Some ASUS, and Dell laptops have them. If you do, you can connect your laptop to an HDTV with an HDMI to DVI cable. They are both digital cables so this will produce the same HD resolutions as a standard HDMI cable.
If your laptop doesn’t have HDMI or DVI out, it should have a VGA output. Connecting with VGA is capable of high resolutions. However, different TVs support different resolutions with VGA. You must check the maximum resolution your TV model supports with VGA.
Pretty much all laptops come with an S-Video output. It’s not going to be as great of a picture, but it will certainly do the job with an S-Video cable.

After you have connected your chosen cable, boot up your laptop and see if it has detected your TV. If not, you have to go into your display properties and look for the settings that will enable your TV to display from your laptop. Where to find the setting will vary depending on your graphics card (just look around). If you are having trouble getting your TV to show a picture, make sure you have updated the display drivers on your laptop. Now you’re probably going to want sound from something other than your laptop speakers. So you can choose to output it to your TV, or blast it from your home theater audio receiver.

The best way to connect audio to your TV or receiver is through a digital audio cable. Both a digital coaxial cable or Toslink optical audio cable will work great for crisp high quality audio. Just make sure your laptop has either a digital coaxial or an optical audio output. Some laptops use the headphone jack to double as a digital coaxial (S/PDIF) output. If you use this method, your going to need a 3.5mm to RCA adapter with a digital coaxial cable. If your laptop has none of these outputs and you still really want that high quality sound. Don’t worry! You can still get an external (USB) sound card that has digital coaxial out or optical out. I recommend the Creative Sound Blaster X-Fi Surround 5.1 SB1090 with Toslink Optical audio out.
Another way, which won’t require any add-ons, is to use the headphone (3.5mm) jack on your laptop to the RCA (red and white) inputs on your TV or receiver. To do this, all you need is a 3.5mm to 2 RCA adapter with a 2 RCA audio cable.

I know all of these cables can seem confusing to you. If you’re having trouble finding out what each cable looks like or find out more about a cable, check out the Cable Guide at CableTrain.com. All of these cables are available for you on our website as well. I hope you can now successfully connect your laptop to the TV in the best way possible!

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Bluetooth Wireless TV Headphones

Only fairly recently has Bluetooth been available in the form of wireless TV headphone sets. Although Bluetooth is a trademarked name, the technology is leased out to many companies who use it to connect their devices. This is the same Bluetooth that lets cell phones connect to each other and to the little hands free units that clip onto the ear of people that like to walk around major department stores looking like they’re talking to themselves.

In fact, I hear many people referring to those types of earpieces as “Bluetooth head sets” which, though not entirely inaccurate, does infer that Bluetooth is a type of headset as opposed to a communication format. As such, it’s worth mentioning that just because it uses the Bluetooth format for communicating, this does not mean that Bluetooth wireless headphones for TV have to clip on to your ear. Again, Bluetooth is just a communication format, and does not indicate the shape or form of the headset in any way.

Bluetooth works almost exactly like RF (radio frequency). The main differences is that Bluetooth operates in calculated pulses, and that it only has a range of about 30 feet. This range limitation is both a good thing and a bad thing.

It is a good thing in that only signals within 30 feet of either the receiver or that transmitter can cause distortion. Another advantage is that other people in the home can use devices that use radio without them overriding each other. Bluetooth will generally not interfere with wireless routers or cordless phones, though there are always exceptions to that rule. When dealing with radio waves, there is always a bit of randomness to contend with, and you can never be sure exactly what’s going to interact with what.

Still, it’s a fairly safe bet that unless the router or cordless phone base is sitting within 30 feet of the Bluetooth transmitter, you’re not likely to get any interference from your wireless headphones for TV. Bluetooth is also encoded, so although it may cause interference in the form of white noise, nothing but the receiving unit will be able to actually decipher the sounds. The limited range can also be seen as a bad thing, though, because, in some cases, people do sit more than 30 feet away from their television while watching it. In fact, with projection televisions, being more than 30 feet away is almost mandatory in order for the picture to not look grainy.

Another downside to Bluetooth wireless TV headphones is that they’re still very rare, and their future is not exactly certain. In fact, a search on Amazon yielded only a handful of results, and none of them look to be made specifically for TV, which may or may not cause issues with technologies such as Dolby Surround Sound. So, although they can be used as wireless TV headphones, they might not work quite right.

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Alison Krauss I Know Who Holds Tomorrow Gospel Music CD Review

Not sure what’s happening with me on this one, but it seems like the more I listen to it, the better I Know Who Holds Tomorrow gets. I Know Who Holds Tomorrow simply stated is one of Alison Krauss’s best CDs to date.

Refreshingly, this was one of those CDs I was able to just pop in and comfortably listen to from beginning to end. Every track is enjoyable and was pretty easy for me to listen to from start to finish.

One of the refreshingly nice things about this CD is the way all of the participating artists seem to be really enjoying themselves. Combine that with the overall presentation and you’ve got one of Alison Krauss’s most impressive releases ever.

If you’re even mildly into Gospel music you’ll enjoy this CD. Overall I Know Who Holds Tomorrow is an outstanding release. I give it my double thumbs up. You will not be disappointed with one single track.

While the entire CD is really very good the truly standout tunes are track 1 – Walk Over God’s Heaven, track 2 – Will There Be Any Stars?, and track 7 – Everybody Wants To Go To Heaven.

My Bonus Pick, and the one that got Sore [...as in "Stuck On REpeat"] is track 11 – Loves Me Like A Rock. Great track!

I Know Who Holds Tomorrow Release Notes:

Alison Krauss originally released I Know Who Holds Tomorrow on February 4, 1994 on the Rounder Records label.

CD Track List Follows:

1. Walk Over God’s Heaven

2. Will There Be Any Stars?

3. Where No One Stands Alone

4. Never Will Give Up

5. Remind Me, Dear Lord

6. I Know Who Holds Tomorrow

7. Everybody Wants To Go To Heaven

8. I’d Rather Have Jesus

9. Far Side Bank Of Jordan

10. In The Palm Of Your Hand

11. Loves Me Like A Rock

12. Jewels

Alison Krauss & The Cox Family: Alison Krauss (vocals, fiddle, viola), Suzanne Cox, Evelyn Cox, Lynn Cox, Willard Cox, Sidney Cox (vocals).

Additional personnel: Ron Block (guitar, banjo), Rob Ickes (dobro), Adam Steffey (mandolin), Andrea Zonn (fiddle), Gary Smith (piano), Barry Bales (acoustic bass), Viktor Krauss (acoustic, electric & arco basses), Kenny Malone (drums, percussion).

Recorded at Nightingale Studio, Nashville, Tennessee.

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Building a Custom Subwoofer Enclosure – What to Know

Custom subwoofer enclosures are for when you want to put some subwoofers into your car but don’t want to run stock boxes. By a stock box, I mean one that either comes with your subwoofer or simply one where you can only fit one 12″ sub.

If you buy two 12″ subs, or perhaps two 10″ subs for instance, you’ll likely either have to build your own box or get someone to build you one. It’s important to remember every subwoofer has an “optimal” subwoofer box size in order to maximize clarity and sound performance. You can check the manufacturer’s website of your subwoofer to see what this optimal size is.

You can also skip building the whole optimal performance box in exchange for simply something that will fit into your trunk, but it won’t sound as good as if you built one to the specs on the manufacturer’s website.

e holes for where the subwoofers go and drill a terminal plate int

Another thing to keep in mind when building your box is to keep all edges perfectly straight. Try to use vice grips to hold the pieces in place before and after gluing, and be sure to place scrues evenly across the construction.

Use a router to machine tho the back to run the subwoofers out the back.

Even if you haven’t done the greatest job on your subwoofer box, the MDF wood required to build isn’t that expensive. You can always try another one, or use the one you just created. The first few boxes we created here at EuroEnclosures weren’t that great either, but you can always tune your deck for less bass output if your box rattles a bit on higher DB output levels.

However, should you want to build the “optimal” box for your subwoofers, be sure to check the manufacturer website of your subwoofers before building.

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How to Get Guitar Tone – Making a Punk Rock Sound

So, you’re a guitarist that loves your punk rock, but not sure how to get guitar tone like the sound you’re looking for. Well, there are actually a few factors that come together when figuring how to get guitar tone you want.

Not only do you have to think of the guitar, but the amplifier, how it’s configured, and any pedals that may go along with it. Check out these tips on how to get guitar tone that will satisfy your punk rock edge.

* Use a guitar with a boost in its mid-range.

Most punk rock guitarists create a good tone starting from the instruments they own. Fenders and other “strat” style guitars supply a boost in their mid-range as opposed to Les Paul type guitars that boost the bass range.

* Play on amplifiers that supply less distortion.

Most of the time, punk rock guitar amplifiers are pretty modest with their distortion. How to get guitar tone you want may not be answered with a high-distortion Marshall amplifier. Check out the distortions on Fender or Mesa Boogie amplifiers for something smoother.

* Keep your distortion pure without the use of pedals to beef it up.

Punk rock players do not use a lot of pedals to alter their sound most of the time. Stay away from overdrive, delays, and metal-zone pedals to really keep your guitar tone authentic and thick.

* On your amplifier, boost the mid-level knob.

A lot of the tone for punk music is in how the mid-level is set on the amplifier. Keep your highs and lows floating around 50% and your mid-level closer to 75%.

* Try your sound with a compressor.

Although an overuse of pedals can alter a punk guitar sound a little too much, a good compressor can give it just the right amount of bite. Try hooking your guitar up to a compressor pedal or rack piece to give your guitar more attack on stage.

Figuring how to get guitar tone that you want should come easily when you really explore the spectrum of sounds that electric guitars and their gear have to offer. The main goal however, is to arrive at a guitar style that suits your personality and helps create your signature sound.

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Appendix Removal – Not So Bad But Here is What You Can Expect

Last November I had appendix inflammation and had to be taken out. The procedure was called a laparoscopic appendectomy. If you are wondering about recovery after appendix surgery because you need it or just had it, my experience will help prepare you for what is to come. As long as your specific case does not have complication, the process is not bad so do not be afraid. However, there are certain things to be aware of that are going to come up for you.

I started feeling something was wrong down on my right side but it was not very painful. It just ached here and there or felt like a cramp. So I went to the doctor at my walk-in clinic Sunday afternoon and he did a urine test and had me jump up and down. That hurt to do so he then immediately sent me over to the emergency room. I asked him, “Do you mean I need to go right now?” Moreover, he laughed and said, “Yes, right now!” I did not realize it was that serious. I did not think for a second that I had a problem with my appendix because the symptoms seemed tolerable.

At the emergency room, they did more tests and lab work at a deeper level. Therefore, after about 40 minutes and a CT scan I was told I had an inflamed appendix and they had set up a room for me. Thank goodness I married a teacher and I have health insurance!

Once up in the hospital room I got asked more questions and was told the doctor would see me the next day. They had me on antibiotics to try to bring my appendix inflammation down and I had a lack of potassium in my blood. I am not sure how I got that since I eat a lot of bananas but I will say that potassium hurts when given intravenously. Your arm aches and if the IV delivers too fast, it really aches.

So the next morning my surgeon comes in and tells me he has me scheduled for surgery that evening but wants to see how the antibiotics take and he may hold off appendix removal if they work. I was not too interested in holding off because I knew it had to come out at some point and I’d rather it be sooner.

After the surgeon left, I began to take note of what it is like to be in the hospital since I never had been there before. Hospitals are not restful places. There are people coming in and leaving all day long. They take your vital signs, chest x-rays and ask you questions. In addition, the beds in this hospital were set up so you do not get bedsores. The mattresses automatically move and it is annoying. As soon as you get comfortable, the bed moves and now you are not comfortable anymore. This would later prove to be a problem during my next operation.

By the end of the day, I am starting to get a very strong headache. I had not eaten since Sunday morning and it is now Monday evening. The nurse tells me that the headache is common when not eating and being on an IV for several days. She cannot give me a pain pill because we get word I am going through with surgery after all and it is going to be that night at 8:00. At that point, I am a little concerned the doctor will be tired. I know I would be but I am assured by several nurses he will be fine. I am lucky because everyone tells me my surgeon is very good and this information is unsolicited.

An hour before the scheduled surgery I am wheeled down to pre-op where they shave my belly area with a Bic shaver. It does not hurt even though they shaved it while it was dry. I am surprised the single blade works great. Now my major concern is a catheter. I am deathly afraid of having one put in and I do not know if they plan to do that. Mostly I am worried they will do it while I am awake. The nurse tells me they will not use one for this minor operation so I feel much better.

They wheel me into the operating room and I first thought it did not look very official. It looked to me like an extra room fixed up to be an operating room. Several nurses and attendants helped me move from the wheeling bed to the operating table. After that happens it is literally seconds before you pass out from the anesthesia.

I awake later in post-op and I am pretty out of it. I have no sense of time past. I can see people, hear them, and answer them but I am goofy as hell. The surgeon comes by, grabs my foot, and says, “Everything went great. You’ll be fine.” I thank him and the nurse tells me that she is going to remove my catheter. It turns out they decided to put one in after all. I could not even focus my vision on her. I just acknowledge it is going to happen. She pulls it out and it is uncomfortable for a second but not nearly as bad as I thought it might be.

Later they take me upstairs to my room. It is here in the middle of the night I learn that the new theory of getting better has to do with getting you moving as soon as possible. This means I need to start walking up and down the halls pushing my IV bottle, which is on a wheeling rack. Awkward but it can be done. Bed rest is out. Moving is in.

Several nurses wake me just hours after surgery and get me out of bed to walk the halls. In addition, because I had bowel surgery, in order to get everything over the shock and working again you need to move your body physically. This restarts your digestion system. Walking was not so bad. In fact, I enjoyed it and started doing a walk almost every 45 minutes. It was better than staying in that self-adjusting bed that would not let me sleep.

The next hurdle to overcome is the doctor wants you to pee and past gas. This signals to him things are back to normal. The next morning the RN nurse was all over me to pee. She said she would have to put a catheter in if I did not empty my bladder. She did a sonogram and my bladder was full. I started to panic because I did not feel the urge to pee and now with so much emotional pressure from the catheter threats and the pain meds throwing me off, I could not go. In addition, I had a little pain after the catheter so I did not feel like peeing.

For a good hour or so before the nurse called the doctor and asked him what to do I fretted about it. Thank God he said to not to put a catheter in. The nurse told me and within ten minutes, I relaxed and went to the bathroom. Later the doctor told me the nurses tend to want to rush that process and he prefers to let it ride for a while. I am thankful.

Now at this point I still had not passed any gas. Having not eaten in almost 3 days, there was nothing there to make gas. This is a big deal in the recovery process. Luckily, I had a weak bowel movement shortly after that. This was good enough to get the “okay” from the surgeon to go home. Who would have thought farting was so important?

In general, they really want you to go home. The hospital is not a good place for recovery. Recovery happens much faster at home and you are not in danger of getting some bacterial infection, which can be common in some hospitals. I did so much walking and by pushing myself to be that physical it turned out to be the reason I was allowed to go home so quickly. (This physical activity served me even better during my next operation two months later.)

I found it odd that I was one of the only people doing this. There were several heavy people there who had had stomach stapling or similar procedures done who would hardly ever be up and moving. I heard from the nurses that these patients were supposed to but many were a bit lazy. Interesting.

Getting into the car was hard. I found certain movements were difficult and crouching down to get into the car was one of them.

My belly was bloated and distended because of the appendix being removed laparoscopically. There was still gas in there and it took over a week for the gas to leave. The gas is pumped into your abdomen to lift and separate the area so it is easier to see during surgery. It felt weird being bloated like that and I felt vulnerable.

I had three small wounds with staples in them and tape over them due to the laparoscopic surgery. I did not see how they could remove my appendix or work on my insides through such small incisions but they did. The doctor told me I was fine to shower regularly and get the tape wet after the surgery. I just should not rub the tape. Oddly, several nurses did not think I could shower.

My first night at home was a little tough. I got too cold in bed because I was not regulating heat well and it was cold in the room. I started shivering uncontrollably which frightened me. I ended getting up and putting long johns and socks on and that did the trick. I also had to walk around the house for a while to relax.

The first couple of nights I had to take a pain pill as well as sleep on my back without moving much. The pain pills were Hydrocodone 5-325 one or two every four hours. (It is a combo of vicodin and 325mg of Tylenol. The vicodin is to keep you from coughing and the Tylenol is for pain I read.) I think I took two that first night. That was tough because the doctor told me first that it would take longer to get well the more I relied on pain pills so I was hesitant. Moreover, sleeping on my back is hard for me. Both things got taken care of over the next couple days as I was able to stop pain pills first. I still had to sleep on my back for about two weeks.

Another thing I learned not to do was sneeze. It was excruciatingly painful the first time it happened two days after I was home. I stifled every sneeze I had for about 4 weeks after that. Coughing was also scary but easier to handle.

Four days later, I played in the Tomasina band at Disneyland for three consecutive nights. It went fine. I just took it easy. The hardest part was my bass kept hitting my wound when I moved around too much so I mostly just stood there.

A week later, I went back to the surgeon and he removed my staples. I thought that was going to hurt but it did not. Just kind of pinched but it was over with quickly. I never had to go back after that until my next problem two months later, which is what caused my appendix problem in the first place. (Read my colon surgery story for more hospital fun.)

When I got the bill from the hospital to show what was being billed to my insurance, it was for around $35,000 for my three-day stay. Please get insurance if you do not have any. Without it, this bill would have crushed me.

Full recovery I figure after actual surgery took about 5 to 6 weeks.

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Playing Live – How to Set Up Your Band With Monitors For a Killer Sound

You’ve got your amps, you’ve been practising in a garage or small rehearsal room and things sound pretty tight. Now you’ve got a chance to play down at the local pub/bar. How difficult could that be? Well, if you feel that all you have to do is set up and play just as you’ve been practising then there is a 99% chance of disaster. Many bands sound awful at their first gigs because their PA isn’t sorted; they find themselves playing out of time and out of tune.

Why? It’s monitoring – or to be precise a lack of it! Your singer will only be able to sing in tune if he can hear what he is singing. Your guitarists will only bend notes accurately if they can hear their own guitars. Bass and drums will only lock in if they can hear each other, and each of you will only know where you are in a song if you can hear the rest of the band. It’s wholly different to the confines of the garage or practice space and this can really throw you all. You will be struggling to hear the overall sound and may even have trouble in properly hearing your part of it. No matter how good you all are as musicians, no matter how much you’ve practised, without good monitoring you will end up out of time, out of tune and wishing you’d stayed at home. When the on-stage sound is wrong, amplifying it will just tell the audience how wrong it is.

For bands of three to six people with electric guitars and bass, a drummer, a singer and possibly a keyboard, playing in small venues to audiences of less than 200 (a typical start up scenario) your amplification needs are threefold:

1) Back line – this includes your guitar and bass amps, your drummer

2) Monitors – these are on-stage speakers relaying “fold-back” – your own sound

3) PA – the front of house sound which the audience hears

Notice that 1) and 2) create your on-stage sound whilst 3) delivers the on-stage sound to the front of house. Lets take them one at a time:

Backline

You will need 30 to 50watts RMS for your guitar to match the drums. The bass will need 50 to100 watts. If you are using keyboards they will need 100 watts as a back-line instrument but if you choose to put the keyboards directly through the PA to the front of house, bear in mind that without a mixer they will be a distraction for the vocalist. Those pieces of kit which do not have a volume control – the drummer and the singer – now need to be considered. The vocals will definitely need a system that delivers over guitars, bass and drums to a room full of noise absorbing people (and audiences absorb the higher frequencies more efficiently than the lower ones), so PA’s are first and foremost the province of the vocalist, but also for keyboards and, if you chose to microphone them, the drums.

Monitors

You need stage monitors so the singer can hear themselves and the rest of the band can hear the singer. A monitor is a speaker, often quite small and wedge shaped, which can be pointed at the singer without hiding him and generally raised at the front edge by a stand (or propped up by an old brick) to project better. Add more monitors so the rest of the band can hear the singer and position one of these next to the drummer. You’ll need a separate power amplifier to drive the monitors although it needn’t be as powerful as a PA power amp, and if you have extra acoustic instruments you will need to put these through the monitors too. Look for monitors of 100W, you can get active ones with built in amps or go for a monitor amp with separate speakers. Understand, too, that your guitar and bass amps are, on-stage, monitors. You need to set these so that you can hear yourself and the other band members, and that they can hear you as well as themselves. This is the trickiest part and when sound wars break out on stage, often a competition over being loudest, it’s the audience that suffers. Don’t make the mistake of turning up your amps to impress the audience as you will just be unbalancing the band’s sound. In very small venues and for mainly acoustic bands, the monitors can be angled to spill sound to the audience.

You now have control and balance issues to consider. Decision one: either you balance the back line to the drummer or you microphone the drums and balance through the PA . There are compromises possible when playing small venues where it may be effective to simply microphone the kick drum.

PA

To the singer, the PA is what an amplifier is to a guitarist, but it’s much more besides. What goes to the PA goes through a mixer. These days a mixing desk capable of handling the whole band can be picked up for the price of a low mid-range guitar. Given that many venues, even smaller ones, now have their own PA systems, including a mixing desk, you will need to come to terms with these either way. At the basic level if you only have vocals going through the PA you will only need 100W per channel and a couple of full range speakers with stands. The speakers will have a ten, twelve or fifteen inch bass speaker and a horn to handle the high notes. You’ll need to raise the horns above the audience or the people at the front will absorb all of the treble and the rest of the room will get mush. This is why most PA systems feature stands, so use them! Make sure the cabinets are well to the front of the vocalist or your back-line sound could overpower the vocal mike and set up a howling feedback loop. If you’ve got your on-stage sound right then you won’t get this problem from the back-line but if you do then you now know the answer. Turn down the back-line!

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Top 10 Music Production Software That Made My List

I’ve compiled a list of top 10 music production software. I’ve used them all, and i find it more useful then other software out there. Just remember that the software that i use, is not the most suitable for you. Other people may have different list, different styles but no matter what, it’s always better to review it your self.

1. Steinberg’s Nuendo 4

The easiest sequencer for me to work with. The good thing about Nuendo is, because it is based on ASIO, it will work with mostly anything.

2. Propellerhead’s Reason 4

Fascinating synths (especially Thor) Great “configure your self” input output, Great library support from third parties manufacturers. And the best of Reason is this, the combinator. The good thing about it? your freedom to craft your sound.

3. Ableton’s Live 7

Great tempo manipulating sequencer, u can easily drag a sample put it inside a track, and the sample tempo will matched the project’s tempo. The good thing about Live 7? The great layout. It helps you a lot, especially when you wanted to search for files without clicking or opening the Menu.

4. Digidesign’s Pro Tools

Beat Detective, McDSP plugins, those are a few rare items that you can find on Pro Tools. The best of Pro Tools? The great combination from software, hardware, third party manufacturers, and of course the ease of transport and compatibilities with class A Studios.

5. Apple’s Garage Band

An easy to see and use sequencer, especially useful when you need to create a quick map for your project. The best from Garage Band is the Jam Pack’s great samples. Do you know that one of the Jam Pack’s sample ended up in Rihanna’s Number One Hit?

6. Spectrasonics Stylus RMX

With constant updated libraries and a passion for beat, you can use Stylus RMX to help you find the beat your looking for. The best of Stylus RMX? almost anything that you can think of when it comes to beats.

7. FXpansion’s BFD

A live drum on a box. Mic placing options, customized drum sets, great samples, it’s like you have everything a drummer needs in a software.

8. Native Instrument’s Guitar Rig 3 and IK multimedia’s Amplitube 2

I can’t separate the two of them! Both of them provide almost the same features. Amp simulations, Mic Simulations, you name it. The best of them? Great Sounds!

9. IK multimedia’s Ampeg SVX

The best? It turns any lame bass instrument into a great fat pounding bass sound you’ll ever get from a software, period.

10. Guitar Hero

Well.. it’s not really a production software.. but it can inspire you a lot.

There it is, the top 10 music production softwares that made my list! Now all i have to do, is to get me a list of top 10 music production hardwares. I’ll let you know when i’m done with it.

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How To Choose The Best Stereo Receiver For Your Needs

It used to be a lot simpler to find the best stereo receiver for your needs since most people only used receivers for their home audio system, but today the addition of video devices and the multitude of audio/video sources makes the choice more demanding. So here are a few tips to keep in mind as you shop for a stereo or digital receiver.

First of all make sure that the receiver that you choose to be the brain of your home entertainment center will be able to support all the devices that you intend to use with it. These days video and audio can come from a variety of sources including camcorders, digital video recorders, DVD players, cable or satellite boxes, video game systems, cd players and so on. You will need to have corresponding inputs for however many devices that you intend to use. So plan ahead and make sure the receiver you buy will fit your needs that way. You will have to pay more for a digital receiver that carries a plethora of input connections, but it will be worth it in the long run.

Also be sure that the connections for both audio and video match between your components and the receiver. Most devices can support a standard composite cable connection, but for your best video sources you will probably want some S-video connections that produce a better screen picture with more detail. On the audio side, if you are using surround sound as many people are these days, make sure that the audio connections from your components match the inputs on your receiver. For digital equipment it is usually either an optical or coaxial connection, but whichever it is, be sure that the connections on both ends will match.

Then be sure that the receiver will be sufficient for your room size. Most rooms will take about 50 watts per channel to power the speakers sufficiently, but larger rooms may require 75 watts per channel and very large rooms can use 100 watts per channel to fill the room up with sound.

You also will need to match the receiver to your speakers too as some speakers use different ohm ratings to accomplish their sound purpose. An ohm has to do with how much resistance there is to the current being sent from the receiver. If you match an 8 ohm receiver with a set of 4 ohm speakers you may damage your receiver because of all the overwork that it has to do to keep up with the current demand from the speakers. So just make sure that you match the receiver requirements to the speaker set that you have.

Finally, don’t assume that price is the definitive guide for quality. Many reviews of the best stereo receivers have concluded that high quality equipment does not always cost more, so read the reviews, shop around thoroughly and follow the suggestions given above and you can make a good stereo receiver purchase.

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